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Calrec SUMMA User Manual

Also see for SUMMA: Installation manualInstallation manualQuick start guide

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Contents
  1. Table Of Contents
  2. Table Of Contents
  3. Table Of Contents
  4. Table Of Contents
  5. Table Of Contents
  6. Table Of Contents
  7. Table Of Contents
  8. Table Of Contents
  9. CALREC Putting Sound in the Picture
  10. PRODUCT INFORMATION
  11. INFORMATION
  12. Repairs
  13. Installation
  14. HEALTH AND SAFETY
  15. Earthing
  16. SYSTEM OVERVIEW
  17. Fader Strip
  18. Fader Display
  19. Control Cell
  20. Control Modes
  21. Parameter Adjust
  22. Console Monitors
  23. S tudio Monitors
  24. Surface Layers
  25. USB Ports
  26. TOUCH INTERFACE
  27. INPUTS, OUTPUTS AND BUSES
  28. Buses
  29. Bus Outputs
  30. Inserts
  31. HYDRA PATCHBAYS
  32. Port Sharing
  33. Unpatching
  34. INTERFACING STYLES
  36. Strip Mode Controls
  37. PRESETS
  38. Loading a Preset
  39. Pooled Resources
  40. COPY AND PASTE
  41. LAYERS
  42. Surface Layer Pop-up
  43. SETTING UP
  44. SYNCHRONISATION
  45. Reset to First Source
  46. Sources and Frame-Rates
  47. ENERGY SAVER
  48. GENERAL SETTINGS
  49. Surround Leg Suffixes
  50. Date and Time
  51. EDITING THE NETWORK
  52. Adding and Removing Resources
  53. SHOWS
  54. Entering the Shows List
  55. Duplicating a Show
  56. Backing Up Shows
  57. MEMORIES
  58. Memory Isolation
  59. GETTING SIGNALS IN AND OUT
  60. FADER LAYOUT
  61. Attaching a Path to a Fader
  62. Editing Labels
  63. Deleting Paths from Faders
  64. INPUT AND OUTPUT PATCHING
  65. Understanding Ports
  66. Icons
  67. Viewing and Sorting
  68. Protect a Patch from Memory Loads
  69. INPUT CONTROLS
  70. Input Control Mode
  71. Mic/Gain
  72. Replay
  73. SOURCE AND DESTINATION PROTECTION
  74. Destination Protection
  75. Source Protection
  76. EXTERNAL INPUTS
  77. Removing External Inputs
  78. Metering External Inputs
  79. DIRECT OUTPUTS
  80. MIX MINUS OUTPUTS
  82. TONE AND OSCILLATOR
  83. Routing Tone to Path Outputs
  84. Oscillator Controls
  85. Tone Idents
  86. MONITORING
  87. CONNECTING MONITORS
  88. MONITOR CONTROLS
  89. The MONITORING POP-UP
  90. PFL, AFL AND OUTPUT LISTEN
  91. Access from the Touch Display
  92. METERING
  93. METER DISPLAY LAYOUT WITH CUSTOMISATION
  94. Meter Layout Presets
  95. METER TYPES
  96. External Input Meters
  97. Loudness Meters
  98. Controlling Loudness Meters
  99. User Meters
  100. PROCESSING
  101. DYNAMICS
  102. Compressor/Limiter
  103. Global Module Controls
  104. Expander/Gate Controls
  105. Sidechain EQ
  106. AUTOMIXERS
  107. AutoMixer Global Controls
  108. EQUALISER
  109. Bypass and Alternate EQ
  110. CONTROL LINKING
  111. Access Follows Link
  112. PAN CONTROLS
  114. DELAY
  115. Surface Delay Controls
  117. Insert and Width Tab Controls
  118. VCA GROUPS
  119. Secondary Master
  120. Masters and Paths
  121. Surround Paths
  122. THE FADER WINDOW
  123. VCA Slave
  124. VCA Master
  125. VCA Slaves on Buses and Outputs
  126. CSCP control
  127. AUTOFADERS
  128. Setting Up Autofaders for use
  129. Assigning autofaders to faders
  130. Default Fader Interaction Mode
  131. COMMUNICATIONS
  132. TALKBACK AND REVERSE TALKBACK
  133. On-Air / Rehearse Settings
  134. MIX MINUS
  135. Mix Minus using the Auto Minus bus
  136. Mix Minus using Auxs or Tracks
  137. Off Air Conference Bus
  138. ROUTING
  139. BUSES AND OUTPUTS
  140. ROUTING A SIGNAL
  141. CONTRIBUTION
  142. DOWNMIXING
  143. Downmix Defaults
  144. EXTERNAL INTERFACING
  145. GENERAL PURPOSE INPUTS AND OUTPUTS
  146. Moving a GPI destination
  147. GPO Functions
  148. Assigning GPOs
  149. REMOTE CONTROL – CSCP
  150. CONFIGURING LAN PORTS
  151. CONSOLE FACILITIES
  152. ON AIR PROTECTION
  153. SYSTEM STATUS MONITORING
  154. COLLECTING SYSTEM LOGS
  155. NETWORK SYSTEM RESILIENCY
  156. TERMINOLOGY
  157. FEATURES BY SOFTWARE VERSION
  158. FEATURES
  159. V3.1
Calrec SUMMA User Manual Manual pdf 141 page image
FIGURE 1 - VCA STATUS—FADER DISPLAYSecondary MasterThere is a three tiered hierarchy within Summa’s VCA group system: primary Master, secondary master and slave.Altering the level of a primary master affects the levels of its direct slaves, its secondary master and the secondarymaster’s slaves, all by the same degree. Pushing the primary master’s CUT, AFL or PFL buttons applies the same settingsto direct slaves, any secondary masters and their slaves. The diagram on this page illustrates the hierarchy.CALREC Putting Sound in the Picture 141
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