25audio for a while is valid, but if the secondary input has both channels driven, it is more likely the valid signal, andthe primary is in error.Recommendation: If you are feeding the same program to both the primary and secondary inputs, leave this set to"ON". If there is a different program on the secondary input, turn it "OFF". (It only makes sense to compare thetwo inputs if they are supposed to have the same thing to begin with).Patch Point (Input Menu Advanced Tab)The Patch Point is located between the multi-band AGC and limiter sections.There are 2 dropdown controls and one switch located here:The “Patch Return Source” control sets the inputthe return feed to the limiters comes from. Possiblechoices are the analog XLR input jacks, theAES/EBU input, Livewire 1 or Livewire 2.The “Patch Send” control sets which output thesend signal from the output of the 5-Band AGCsection routes to. The send outputs are limited onlyto the Livewire outputs. You can select Livewire 1,Livewire 2 or Both.The “Patch Mode” control activates (On) orbypasses (Off) the patch point. Unless you areactually using the patch point, be sure this controlremains set to Off or the audio to all outputs couldbe silenced.Input Menu Advanced Tab – Patch Point ControlsTip: If your Omnia.11 is located at the studio, the patch point would be a great place to insert your profanity delay.This will allow you to use the Omnia.11’s DJ processor to feed the announcer’s headphones since it gets its inputfrom a point before the patch point and contains its own low-delay limiters.
